Thursday, October 30, 2014

A love letter to 9021 Yearling Drive

L to R: Doug Ripley, Erica the Amazon, Megan, Forest, Zoey, Hailey, Norman, Casey, Ashley, Kim, Chris & Alex in front of the tree house
Whenever someone asks where I’m from, I usually answer “Florida.” To be more precise – and simultaneously more vague – I should simply say, “the South.” That’s because I grew up in seven different houses in six different towns across three different states. Despite all the moves my comically nomadic family made, one homestead remained constant throughout much of my childhood: a modest house in Lake Worth, Florida, a home I never actually lived in. Until today, that home belonged to my aunt and uncle, Tami and Christopher Storey.

Tami & Chris on "Sea Storey"
Today, Tam and Chris closed on the sale of 9021 Yearling Drive and moved onto their 48-foot sailboat, “Sea Storey,” a double-masted Cheoy Lee once owned by Jimmy Buffett and featured on the cover of his “A Pirate’s Treasure” album. In the coming year, Tami and Chris plan to embark on a round-the-world sailing adventure, a retirement dream they’ve shared for decades. Like so many who know and love my aunt and uncle, I am incredibly happy for them. But we’re also nostalgic about the end of an era.

“Without the slightest doubt, some of my best childhood memories were in that house,” says Hailey, my sister.

Chris and Tami purchased 9021 Yearling Drive on the very last day of 1992. The house, built in 1978, was a CBS structure situated on 1.25 acres in “Palm Beach Ranchettes,” a suburban Palm Beach County neighborhood located just west of Florida’s Turnpike. “The Land of the Storeys,” as Chris came to call it, would become the childhood home of my cousins, Casey, 5; Zoey, 3; and Forest, newly hatched that October.

For the Winslows, the main attraction of “The Land of the Storeys” was always the people who lived there, but features like the property’s lush vegetation, tree house guest quarters and hot tub-sized fire pit certainly contributed to the magic. Tami, my mom’s soft-spoken sister, filled the yard with butterfly bushes and herbs she grew just for the resident caterpillars. She hung orchids from the pines and nurtured Giant Staghorn Ferns she nestled within the forks of oak trees. In addition to the tree house, my uncle, a yacht carpenter, constructed a backyard boardwalk, enclosed a cement slab drive to fashion a porch and, most impressively, helped add two bedrooms, a bathroom and a living/dining room. My cousins made their mark as adolescents generally do, filling the house with friends, laughter and homemade art projects.

L to R: Casey, Megan, Zoey, Forest, Kim, Hailey, Tami & Peggy
My family spent most holidays in Lake Worth, driving from Tampa or Atlanta or Gainesville to celebrate Christmas or, more commonly, Thanksgiving, with the Storeys. As a child, I came to regard the Lake Worth Turnpike Plaza as the miraculous beacon announcing our imminent arrival. By the time our suburban began bouncing up and down on the pot-holed, unpaved streets of the Ranchettes, Hailey and I had shed our seatbelts and were perched to spring from the moving vehicle and into a pack of leaping, barking dogs, the official Storey welcoming committee.

The Land of the Storeys was where I graduated from the kids’ table and forced my way into adult conversations, always colorful exchanges in which liberal Chris, the “Knothead,” sparred good-naturedly with my conservative dad, “Professor Poppycock.” It was my launching spot for an infamous golf cart ride that nearly ended in the canal. It’s where we danced and pranced with lampshades on our heads and waged barefoot, Storey vs. Winslow soccer matches and badminton competitions in the backyard. Once Chris enclosed the porch, the gang began gravitating toward epic, hours-long ping-pong tournaments inside.

The Land of the Storeys is also the environment I typically associate with my grandmother, the late family matriarch we liked to call “Grandmonster.” 
Grandmonster & Tami, June 1995

One of Hailey’s favorite memories is howling verses to 4 Non Blonde’s song, “What’s Going On?” from the top bunk of what eventually became known as “The Cat Room” as Grandmonster shouted back verses from the kitchen.

“I remember her sitting at the kitchen table, always smiling no matter what, looking gorgeous, always,” Hailey recalls. “She had a glow that just lit up her face and that attracted everyone to her.”

My aunt and uncle are exceedingly generous people, and they welcomed any and everyone to the never-ending party -- the more eccentric, the better. Over the years, the cast included fiery Donna, Tami’s college roommate; Erica, the 6-foot, Amazon mail mistress; bearded, bald Art who always seemed old but never seemed to age; Tiffany, the bejeweled divorcee; and Betsey, an ex-hippie from Canada who married Gorm from Denmark in the Storey’s backyard. For as long as I can remember, Betsey’s wheel-less van sat sinking in the grass behind the Storey’s shed.

I was about 14 when Doug, my parents’ “adopted” 30-year-old son, first visited the Storey house. He brought his kids, Ashley and Alex, to one memorable Thanksgiving celebration in which the menfolk rendered the turkey into an inedible jerky; Caught up in a backyard soccer game with us kids, they neglected the turkey fryer.

L to R: Kim, Hailey, Chris, Zoey, Casey & Megan

The Land of the Storeys served as setting for the start of my family’s long-time friendship with Norman Gitzen, full-time artist and highly skilled but accidental beekeeper. Norman, a Ranchettes neighbor originally from upstate New York, lives in a castle-shaped fortress he built by hand. Chris and Tami met him in the early 1990’s during one of their evening power walks, a nightly affair in which Chris strolled sans shoes and the Storey dogs raced around sans leash, igniting indignant howls from fenced-in neighborhood mutts in their wake. Like Doug, long-haired, cut-off short shorts-wearing Norman was a fixture of my childhood, a companion who readily joined in when we kids played flashlight tag or, on one occasion, placated him with beer so we could apply a blue mud mask to his aquiline face.

Though I never lived inside the Storey house, I once resided in the backyard; Mom parked her prized travel trailer in front of the bougainvillea bush so I could live inside while interning at “The Stuart News,” 45 miles north of Lake Worth. That was in 2005, and the Storeys were vacationing in upstate New York for most of the summer. The house felt so empty, so strange, without them.

Feats of strength, June 1995
In 2006, when Matt relocated from Kansas City to live with me in Jupiter, I delighted in introducing him to The Land of the Storeys. I wanted him to personally experience Tami’s wholesome salad dressings and to dance like a sprite before a raging bonfire Chris had assembled with wood scavenged from the property’s vegetation island. Together, we attended Storey family dinners and a handful of Halloween pumpkin carving parties. When Matt and I decided to marry, we wanted Chris, a natural showman, to perform the honors. One evening in 2011, we showed up at the Storey household with a six-pack of beer, “fuel” to get through the online Florida Notary test with Chris. In spite of the drinks, we passed, and Chris married us on Jupiter Beach the following spring.

Like me, “Sea Storey” also once resided in the Storey backyard. Chris wanted easy access to the sailboat so he could renovate it in his spare time. A massive forklift delivered the vessel and placed it on supports in front of the backyard oak, tree house-less by then thanks to an angry hurricane. For years, the cockpit of that boat hosted cocktail hour; Laden with cheese, crackers and wine, we’d scale a 10-foot ladder to sit among the branches of the oak and gaze down at the yard and the neighbors’ horses next door. This vantage point always reminded me of Admiral Boom and Mr. Binnacle, the retired navymen of “Mary Poppins” who live in a ship on the roof of a house and fire wall-rattling cannonballs.

Casey & her boyfriend, Brandon
My last visit to the Land of the Storeys took place this September. I was road-tripping across Florida with my parents, and we stopped at the Storeys’ for a two-night visit. With the sale of the house impending, the furniture was sparse and decades’ worth of knickknacks bestowed upon the family by Chris’ wealthy yacht clients filled the ping-pong room, future site of a garage sale. I noticed that the underwater mural, a community masterpiece we had painted across an entire exterior wall of the house, had been hidden by a coat of respectable tan paint. The “Rogue’s Gallery,” a haphazard collection of favorite family photos affixed to a hallway wall with tape, and Chris’ homemade sign, “F.A.R.T.” (“Fathers Against Radical Teenagers” -- it's clearly visible in the Zillow pictures advertising the house) still occupied their usual spots, but it was only a matter of time before they too were removed. I realize now, with a tinge of panic, that I failed to inspect whether the kitchen doorframe, site of 21 years worth of charted heights --including my own -- still remained.
L to R: Casey, Matt, Zoey & friends watch Norman light his "Icarus" statue

Dinner that last night was Tami’s delectable seafood gumbo, and, as is custom, we sang and swayed and clapped to the “Amen” song (“Amen, Aaaaaa-men. Amen, Amen, Amen. Hallelujah!”) as my mom rolled her eyes. Then Chris cranked up the satellite radio and dimmed the lights until we couldn’t see our plates. Norman was there, and my cousins and their friends and significant others joined us once their work shifts ended. The Storey dogs, Zorro, Riley and Piglet, were in place under the hightop table, strategically situated so as to pounce upon any stray morsels.  Before long, everyone had donned a funny hat from Chris’ impressive “funny hat” collection: a straw eagle, a fedora, a dunce cap, a keffiyeh, a garlic bulb and, my uncle’s signature headgear, a pith helmet. The conversation turned silly, covering everything from government conspiracy theories to whose head happened to be the largest.

Back when "Sea Storey" lived in the yard
Sleeping at the Land of the Storeys was always an adventure, and the last night of my visit was no different. I was slated to crash in the “Cat Room,” sanctuary for the Storeys’ five felines once Riley arrived on the scene (Riley, let the record show, was responsible for scaring away long-time resident, Tilly. Zoey, who happened to find the lost and ailing tabby months later while jogging in Okeeheelee Park, brought Tilly home and the cat seemed to regain some health once returned to the bosom of her family. It was only during a vet visit that the Storeys realized “she” was actually a “he” and not Tilly at all. The real “Tilly” resurfaced a few months later, not long after “Fake Tilly” passed away). But Junior, that cantankerous queen of the roost, seemed set on sleeping on my head, and I joined my parents in Forest’s childhood bedroom before long. Mom and Dad occupied a double air mattress, and I settled onto a second, misleadingly robust-looking object inflated with the assistance of a deafening wet vac. I blame Junior for the hidden puncture wound that eventually rendered my bed into a giant burrito, my body serving as the filling.

L to R: Norman, Megan, Kim, Tami & Chris in September
Groggy the next morning and hurried along by Professor Poppycock, I neglected to fully absorb my surroundings. I knew full well it would likely be my last time inside those hallowed walls; future visits would be clandestinely conducted from the far side of the King Kong-proof front gate. From that distance, we wouldn’t be able to spot the spindly “fruit cocktail” tree my cousins bought Tami for her birthday or pay respects to the humble plot where countless Storey pets, including Scruffy the dog, Tripsy the surprisingly vocal cat and that semi-crazed canine monster, Stripes (he had a penchant for biting moving bicycle and car tires), are buried.

Matt and I keep pieces of “The Land of the Storeys” in our San Francisco Bay Area home: the Haitian drum that once belonged to my grandfather, an ancestor’s antique letter box and, Matt’s favorite, fancy square plates re-gifted from a yacht. I treasure all these mementos because they remind me of my childhood, a childhood spent among the loveable characters who considered 9021 Yearling Drive home --- or at least a place to hang their pith helmet.

L to R: Norman, Doug, Donna, Megan, Peggy, Kim, Erica, Chris & Tami in the kitchen








Wednesday, October 29, 2014

Wildlife women, unite!



A squirrel exploded.

That was my first thought upon entering the wildlife nursery. Ashley, the floor and the counter were littered with entrails -- no, little tufts of black and brown fur?

“I’m making squirrel hammocks,” she said, holding aloft a pair of shears. Her eyes, peering over a surgical mask, were weary.

She turned her attention back to the counter and the pile of fur coats before her. To the side was a stack of fur segments she had already reduced to washcloth-sized squares.

For those unfamiliar with the super-technical lingo of wildlife care, a “squirrel hammock” is a square or rectangle-shaped cloth pocket hung from the inside of a squirrel cage to provide warmth and shelter. Typically, hammocks are constructed from pieces of colorful felt, but a donated heap of rabbit and mink coats meant new luxe accommodations for the bushy-tailed patients of the Peninsula Humane Society & SPCA Wildlife Department.

I too should have opted for a surgical mask while putting the pelts away; bits of itchy fluff clung to my clothes and skin. A trail of tan tufts marked my path down the hall and into the storage closet.

I was alone in the nursery as I swept, and I couldn’t help smiling at the thought of East Coast society women consumed by horror upon seeing the mutilated coats. I was reminded of the hard-hitting, investigativereport I wrote for “The Palm Beach Daily News” when First National Bank discontinued its fur coat storage for residents of The Island (capitalized to emphasize the resort town’s societal significance, of course).

I crafted, mid-sweep, what I considered a clever quip I would treat the next nursery occupant to.

It was Gary.

“How many little old ladies do you think had to die for us to get these coats?” I asked with a smirk.

But instead of rewarding me with laugher, Gary regarded me with thoughtful consideration.

“Well, I don’t know,” he said, slowly. “My wife’s sister-in-law’s mother left her a fur coat in her will. But that was a long time ago, back when we lived in Montana. She doesn’t wear it anymore.”

Gary left and I directed my attention to Squirrel Cage No. 13 and the demon denizen inside; He – the squirrel, not Gary -- attempted to bite me during the last feeding session.

“You better behave, or you’re going to end up like one of these coats,” I told him.

Ashley entered the nursery next, Volunteer Julie behind her. I decided to try again.

“How many little old ladies had to die for you to get all these coats?”

At last, a chuckle.

“I know!” Ashley said. “Who wears fur anymore anyway?”

“Certainly no one on the west coast,” I said.

“But fur is still big on the east coast,” Julie piped in. “In New York, I once sat across from this woman wearing a fur coat on the subway. I gave her the evil eye, and she saw me giving her the evil eye.”

Julie, a professional opera singer, has a flair for the dramatic. I rolled my eyes and related my own experience with the indignant old bitties of Palm Beach. But the subject, like the mothball-infused coats, soon grew stale.

“So, did you see what Renee Zellweger did to her face?” I asked.

“Oh my gosh, I know!” Julie gasped, her eyes expanding to saucer-sized. “I didn’t even recognize her.”

Bad plastic surgery, like questionable fashion choices, is a topic we wildlife women understand.

Monday, October 27, 2014

Halloween How-to: Life-size Tombstones


I am not a naturally crafty person – at least not “crafty” in the artsy-fartsy creative way. However, inspiration from those around me, including my brilliant cousin-in-law, Jamie, and a Pinterest-addicted former co-worker, has piqued my interest in DIY projects, and I’ve recently attempted everything from pressed-fern coasters to gopher-proofing my vegetable garden. My latest undertaking, in honor of Halloween, was crafting tombstones.

A quick survey of Target, Michael’s, the local costume supply shop and Amazon.com indicated the Styrofoam tombstones I desired would set me back about $20 each. So I became determined to craft my mini graveyard from cardboard, a cheap alternative to purchasing either sheets of Styrofoam or foam board. The final product was three life-size tombstones constructed almost exclusively from junk found in my garage.  They cost me about $21 – and countless hours of my life – to make.

I followed Scott Stoll’s tombstone construction instructions for much of the process, but I stumbled across a few shortcuts that might make the project a bit simpler for the next fool who shoulders this massive project. For example, I don’t think it’s necessary to press the cardboard inscriptions into clay. Stoll pressed his into homemade paper clay. I used no-cook terra cotta to recreate this effect on two of my tombstones, but I didn’t like the way it looked and therefore didn’t apply it to the last one.

Here are my modified instructions:

Materials:

-Flattened cardboard boxes or, ideally, those free cardboard crates Costco cashiers hand out for transporting 50-gallon jars of peanut butter and 20-pound slabs of meat.

-Sharp scissors capable of cutting cardboard (I bought Wiss Essential 2-Ring Scissors at Home Depot).

-Ruler or tape measure

-Hot glue gun and hot glue sticks

-White craft glue

-Styrofoam scraps (I used packaging material that came with our new vacuum cleaner)

-Retractable utility knife (for shaving Styrofoam)

-Packing tape (I used painter's tape but packing tape will provide more stability)

-Pencil and string or a protractor

-A tombstone template (I used this one)

-Strips of newspaper

-Papier-mâché paste, recipe here

-Paper clay or no-bake ceramic clay (I used Polyform Model Air terra cotta.)

-Krazy or Super Glue

-Black spray paint (available at Home Depot for $0.99 a can)

-White latex paint (I used Kilz 2 Latex Paint)

-Black acrylic paint

-Cheap paintbrushes

Optional:

-A plastic painter’s tarp to keep mess at minimum

-Spray polyurethane

Instructions:

1.  Warning: Do not attempt this project. Just suck it up and buy those overpriced Styrofoam slabs and be done with it. This particular DIY-er will consume at least several days of your life, wreck havoc on your living room and overwhelm your husband. Stop. Now.

2. Construct the main tombstone form:  OK. I see I failed to dissuade you. You must be either a hardcore DIY-er or a glutton for punishment. 

Free Costco crates
To make the bulk of the tombstones, I started with cardboard Costco crates. The crate I used for the oval tombstone measured 24 inches tall by 15.5 inches wide, and the baroque-looking crate measured 22.5 inches tall by 16.5 inches wide (instructions for the pillar tombstone below). If you don’t have a Costco crate, you can cut two equal-sized, rectangular-shaped sheets of cardboard.  Use the hot glue gun to attach a large piece of Styrofoam – ideally, the same size as the cardboard sheets but 4-6 inches in width -- between the two cardboard sheets. Once the glue dries, use the packing tape to form the sides of the tombstone.

3. Construct the top of the oval tombstone: I measured the width of the main form (15.5 inches) and then drew a 15.5-inch-long line on a scrap piece of cardboard. I tied a piece of string to a pencil, held the end of the string with a finger placed at the very center of the line and drew a half-circle connecting one end of the line with the other. This I cut out and traced to make a duplicate half-circle. I found a scrap piece of Styrofoam almost as wide as the main form and used the hot glue gun to attach it to the top of the main form. Then I glued the two pieces of cardboard to it, shaved away any access Styrofoam sticking out and made “sides” by attaching the two pieces of cardboard with painter's tape.

Step 3
4. Construct the top of the baroque-looking tombstone: I searched online for a tombstonetemplate, zoomed in so half of it filled my laptop screen and took a screenshot. I pasted the image into a landscape-oriented Word document, stretched the image to the edges and printed. I cut out the half-template and then traced it on a piece of cardboard. Then I flipped over the template and traced the second half. I cut out the full template and used it to make a duplicate. I found a scrap piece of Styrofoam almost as wide as the main form and used the hot glue gun to attach it to the top of the main form. Then I glued the two pieces of cardboard to it, shaved away any access Styrofoam sticking out and made “sides” by attaching the two pieces of cardboard with painter's tape.


Step 4
5. Construct the pillar tombstone: For reasons still unknown to both my husband and I, he suddenly experienced an itch to help with the project and -- SHOCKER -- abandoned the football telecast to begin constructing a pillar tombstone. Matt carved into an old wardrobe box and cut four rectangular pieces of cardboard 1 foot wide by 4 feet high for the main form and four 12-inch equilateral triangle pieces for the peak. He attached the pieces with painter's tape and then made a temporary brace to insert into the bottom of the box until it could be stabilized with papier-mâché. He was putting the finishing touches on this monstrosity when I returned from a trip to the garage to announce the presence of a nearly identical box, the pillar-shaped cardboard vessel Sears used to ship our vacuum. Lesson learned: Be sure to survey your entire cardboard collection before endeavoring to construct a 4-foot pillar from scratch.


Step 5
6. Add details: To add dimension, I hot glued pieces of folded cardboard and half-toilet paper rolls around the edges of the oval and baroque tombstones.


Step 6
7. Papier-mâché your brains out: Matt and I shredded pieces of (the surprisingly raunchy) "SF Weekly" into strips (enough to fill a standard kitchen garbage bag) and he followed this recipe to make flour-based papier-mâché adhesive. Be sure to add a dash of cinnamon. It makes the paste smell so nice! It took us an entire afternoon (and several beers) to cover each of the three tombstones in two layers of newspaper.


Step 7
8. Craft the clay adornments: I used Polyform Model Air terra cotta to shape skulls, flourishes and what Matt referred to as a "phallic-shaped cross." Although the package claims the clay dries in 24 hours, my pieces took about 36 hours to fully dry. I affixed the adornments to the tombstones with Krazy Glue.


Step 8
9. Create the inscriptions: I typed out names, dates and inscriptions in a Word document and printed the document. A small paintbrush helped me evenly apply craft glue to the back of the words, which I then stuck to cardboard scraps. I allowed the words to dry and then painstakingly cut out each letter. Then I used Krazy Glue to attach the letters to the tombstones. Stoll recommends pushing each letter into a thin layer of clay. I tried this with two of the tombstones, but it didn't seem to add anything and was considerable more work, so I didn't apply it on the pillar tombstone.
Tip: Save yourself a lot of headache by selecting a narrow, large but heavy, sans serif font so the letters are easier to cut out. If at all possible, avoid selecting a message that incorporates zeroes and letters with middles to them like “a, b, d, e, g, o, p, q” because those centers are ridiculously difficult to cut out. It took me roughly five episodes of “Sex and the City” to liberate all my letters.


Step 9
10. Paint the tombstones (and yourself): It took two cans of spray paint for me to fully cover the three tombstones. Once this dried, I used a paintbrush to add white latex paint. (Instead of brushing on an entire layer of latex paint, use the paint sparingly. I forgot to dab the paintbrush and applied too much white to the oval tombstone.) Once the latex dried, I added diluted black acrylic paint to a spray bottle and doused the tops of the tombstones so the paint dripped down and accentuated the skulls and letters. Optionally, spray polyurethane can be applied to the tombstones to help weatherproof them.


Step 10
My costs, calculated*:
Scissors: $5.97
Spray paint: $1.98
Latex paint: $7.64
Clay: $5.49 (I used a 40% off coupon from Michael's)
Total: $21.08

*All other supplies were found around the house and in the garage


Wednesday, October 22, 2014

Mantovani and the Eggplant

Free-for-all on Avenue of the Fleas
Garage sale lines never fail to amuse me. The fact some junk collectors are so desperate to purchase a stranger’s overpriced castoffs that they form an iPhone- release-in-China-grade queue simply boggles my mind. Not only does such occupation require considerable energy cross-referencing Craigslist and Google Maps, but it means forsaking the precious weekend sleep-in. No, no one in their right mind would subject themself to such a waste of time. Accordingly, I ponder what I consider to be one of life’s greatest mysteries: Why the heck am I waiting among all these lunatics?

Having lived near Palm Beach, land of the rich and celluloid, I’ve seen my fair share of garage sale lines. Typically, they’re reserved for estate sales, those sad occasions when some little old socialite departs for that Saks Fifth Avenue in the sky and leaves behind a trust fund for her pocket pooch and a collection of gaudy brooches and glassy-eyed mink stoles for paying commoners.

I’ll never forget one Palm Beach estate sale I attended on Seabreeze (or Seaspray or Seaview) Avenue because the commoners venturing to “The Island” from the west side of the Intracoastal –where “normal,” middle class people live – actually stormed the gate and sprinted toward the Italian luxury linens and cockeyed Tiffany lamps. I couldn’t stop laughing; everyone knows it’s more dignified to speed walk.

Lines create a sense of anxiety and urgency by emphasizing the reality of a limited supply of something (however questionably) desirable; each person positioned in front of the seasoned estate sale plunderer serves as a physical representation of the ever-increasing possibility the good stuff – chipped teapots, wobbly, moth-infested arm chairs, Mantovani Christmas Carol LP’s -- will expire before they’ve had a chance to paw through them. And that’s precisely how those early bird bastards made me feel Saturday upon my arrival at 820 Alameda de Pulgas in Belmont.

The sudden removal of the Craigslist ad should have served as my first clue something was amiss; one minute my bookmarked link worked, and the next, it did not. But I recalled the pretentious road name (Google Translate tells me the Spanish translates to “Avenue of Fleas?!”) and there was no mistaking the address when I neared it: A restless mob had assembled at the end of the driveway, and several mob members were pacing in front of two folding tables serving as a barricade to block their way. By luck, I scored a parking spot directly across the street from the mayhem. I crossed the Avenue of Fleas and joined the hornet’s swarm to assess the competition.

"Neckbrace" and "Eggplant"
Naturally, the six-foot-tall woman in size “gargantuan” purple jeans caught my attention. She was shaped like an eggplant, rounded purple posterior to boot. And then there was the middle-aged Asian man in the neck brace. And the bearded hipster in the tweed hat; he could very well be my rival for any classic rock vinyl. But was there any vinyl to be had? Beyond the Eggplant, I spied rows of tables covered in extinct technology, tchotchkes and individually priced silverware. The records, if any existed, were probably in the open garage.

Realizing I would likely have to battle, mano-a-mano, with the cretins around me, I naturally grew huffy and sought solidarity from one of them. I turned to the woman beside me. She was slight but sprightly; perhaps she could run interference for me as I sprinted for the garage.

“So, what happened to the Craigslist ad?” I asked, careful to direct my eyes skyward so as not to betray interest in any particular sale item.

“I know! It disappeared,” she said. Friendly but useless.

Perhaps the organizers saw this crowd and figured they had garnered enough attention already, I thought.

“Sign the list!” said another woman, the one sporting a black puff vest atop a matching pajama set. She wore her hair tied into a loose bun atop her head, a style I typically associate with ballerinas and grandmothers. Pajama Gram shoved a clipboard into my hands.

This was new. List? List for what? Exactly what brand of junk had they got in there?! And, most importantly, how could I have wasted an entire minute allowing stragglers to sign it before me?

“They’re only taking 10 people at a time,” Pajama Gram explained.

Not willing to divulge my full identity, I scribbled “Megan W.” in the No. 17 slot.  I returned the clipboard to the bouncer, a 60-ish man in a Giants ball cap. He seemed more like a helpful neighbor than the typical, hard-nosed estate liquidator.

“Did someone die?” I asked.

“No, the owner’s just really old, and she’s unloading some of her stuff,” he said. “This will probably be the first of several sales.”

None of the people arranging wares on the tables appeared “really old,” and I wondered if a wizened face might suddenly peer from one of the green shuttered windows above to mourn the loss of the innumerable treasures below.

“Why are there so many people here, waiting?”

But it was 9 a.m. and time for the Bouncer to begin consulting his list.

“Steve? Nancy? George?”

The Bouncer ticked the names off as, one by one, their owners pushed between the two folding tables. I gathered Eggplant was actually Nancy, as she was second to squeeze through the gap. Once clear, she by-passed Steve and began to gallop for the jewelry display cases.

“Run! Run!” I shouted after her, perturbed into catcalls by her head start.

The Bouncer had read off 10 names, but somehow 11 bodies had slipped past him. The add-on was Neckbrace, and he was making a beeline for the box of gilded frames near the garage.

“Wait!” the Bouncer shouted. “You have to wait your turn!”

But there was no stopping Neckbrace; he moved with surprising speed for someone with an immobilized head. Realizing his list contained but 18 names anyway, the Bouncer declined to give chase and instead stepped aside to let the rest of us funnel through.

Over at the jewelry display cases, Eggplant was stuffing her mitts with bejeweled trinkets, anxiety visibly building on the face of the table attendant with each addition.

“Stop,” the attendant said. “That’s too many. We can’t keep track.”

Hoarding the old lady’s beads and baubles? For shame, Eggplant. For Shame.

Meanwhile, Neckbrace was shoveling 35mm camera equipment into a shopping bag. Another attendant rushed to his side.

“You need to pay for that stuff before you put it in a bag!” she said.

The goods


I waded through the chaos to the garage and the vinyl collection inside.  As I entered, a middle-aged Asian woman was exiting, a miniature wood sled firmly clasped in her hands.

“Look at this, George!” she said.

Both George and I appraised her find and neither of us was impressed. The cheap woodwork made the sled look more like a stage prop than an authentic, vintage three-quarters-sized replica of a vintage toy. I turned my attention back to the records and began pawing through a sea of Mantovani. Man, how I’m sick of seeing that penguin suit-clad smug mug.